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From formal concerns such as Kopienkritic copy criticism to social readings of plebeian and patrician art and beyond, scholars have returned to Roman sculpture to answer a variety of questions about Roman art, society, and history.


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Indeed, the field of Roman sculptural studies encompasses not only the full chronological range of the Roman world but also its expansive geography, and a variety of artistic media, formats, sizes, and functions. Exciting new theories, methods, and approaches have transformed the specialized literature on the subject in recent decades.

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Rather than creating another chronological ARCH15OXH of representative examples of various periods, genres, and settings, The Oxford Handbook of Roman Sculpture synthesizes current best practices for studying this central medium of Roman art, situating it within the larger fields of art history, classical archaeology, and Roman studies.

The handbook conveniently presents new technical, scientific, literary, and theoretical approaches to the study of Roman sculpture in one reference volume and complements textbooks and other publications that present well-known works in the corpus. Chronologically, the volume addresses material from the Early Republican period through Late Antiquity. The Oxford Handbook of Roman Sculpture not only contributes to the field of classical art and archaeology but also provides a useful reference for classicists and historians of the ancient world.

A comprehensive work, this volume is more detailed than an introductory textbook, but more accessible than much of the academic literature.

The Oxford Handbook of Late Antiquity Oxford Handbooks by Scott Fitzgerald Johnson Information

Current World Archaeology well written Diana E. Kleiner, Sehepunkte this book is a welcome contribution to English language scholarship on Roman art. Elise A. Convert currency. Add to Basket.

The Oxford Handbook of Roman Sculpture (Oxford Handbooks)

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Brand new Book. Indeed, the field of Roman sculptural studies encompasses not only the full chronological rangeof the Roman world but also its expansive geography, and a variety of artistic media, formats, sizes, and functions. Rather than creating another chronological ARCH15OXH ofrepresentative examples of various periods, genres, and settings, The Oxford Handbook of Roman Sculpture synthesizes current best practices for studying this central medium of Roman art, situating it within the larger fields of art history, classical archaeology, and Roman studies.

This volume fills the gap between introductory textbooks-which hide the critical apparatus from the reader-and the highly focused professional literature. The handbook conveniently presents new technical,scientific, literary, and theoretical approaches to the study of Roman sculpture in one reference volume and complements textbooks and other publications that present well-known works in the corpus.

TheOxford Handbook of Roman Sculpture not only contributes to the field of classical art and archaeology but also provides a useful reference for classicists and historians of the ancient world. The purpose of this handbook is twofold. On the one hand, it synthesizes what has heretofore been accomplished in this field.

Edited by Scott Fitzgerald Johnson

On the other hand, it attempts to configure the examination of Roman social relations in some new ways, and thereby indicates directions in which the discipline might now proceed. The book opens with a substantial general introduction that portrays the current state of the field, indicates some avenues for further study, and provides the background necessary for the following chapters. It lays out what is now known about the historical development of Roman society and the essential structures of that community.

In a second introductory article, Clifford Ando explains the chronological parameters of the handbook.